Tag Archives: poet

Napa Valley Writers Conference – Reading

Towards the end of the conference, the participants read. Interestingly, twice the number of poets read than fiction writers. We each had two minutes and the time keepers were brutal with enforcement with quite a few readers out of time mid word. I read a poem written during the conference. All the work written during the conference I focused towards the Other Mommy collection I’m working on which is about my experience, thoughts, and poetic reflection as the non-biological mom in a same gender family. The poem is Nature Nurture, Genetic Code. (Turn up the sound, as it didn’t record well.)

 

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Introducing Jerome Joseph Gentes

This month, Three by Five presents Jerome Joseph Gentes.

recent download 041Jerome Joseph Gentes is a professional and creative writer who lives in Berkeley, California. He works in all genres and was a 2012 Pushcart Prize nominee (Poetry). He taught at Niagara University and Medaille College and with Just Buffalo Literary Center/Writing with Light from 2007-2011. He is presenting at this year’s International Research Society for Children’s Literature Conference (The Netherlands), and has previously presented at the Alliance for the Study of Adoption and Culture (Claremont Colleges), Colgate University, and San Francisco State. Developmental readings of his play Hold Your Piece took place in June 2013 with The Playwrights’ Center of San Francisco, and in August 2012 at Buffalo United Artists (Buffalo, NY). He collaborated on the revue Show Me Yours with New Musical Theater of San Francisco and was part of Found Poetry Review’s 2013 Pulitzer Remix project for National Poetry Month.

A current work in progress is Hold Your Piece which is in development mode. It’s a full-length play about a gay man, his best friend, and the affects of marriage equality on both him and their relationship. Jerome is hoping to do a staged reading in the fall or early 2014 at the latest. He is also researching another project, which may lead him into a new medium.

Find Jerome on the web: TwitterWebsiteLinkedIn.

A sampling of Jerome’s work: In Verbatim Poetry, and  Online Literary Journal Rougarou.

For more, return on the days of the month with a three in them.

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Post Napa Valley Writers Conference

The 2013 Napa Valley Writers Conference has concluded. A beautiful venue deep in the California Napa Valley wine country. IMG_5061Exceptional faculty and participants from all over the country and even some international attendees. Poetry and Fiction with five intense days. Delicious mostly vegetarian breakfast and lunch meals prepared by the Napa Valley College Culinary school. Since I attended for poetry, I won’t attempt to speak to the fiction experience. For the poets though – WOW! This is very much a working conference – poets produce new work daily. Days are long with the first craft class at 9 am and the nightly readings ending about 8:45 pm. In between is an hour for lunch (provided) and a couple hours for dinner (on your own). The rest of the time is chock full with craft, workshop, more craft and panels. Every night was a faculty poet and fiction author reading.

IMG_5072For me, this conference provided great transformation in my journey as a poet. While the pace was brutal, the workshops were not. Camille T. Dungy was my workshop leader and by far, this was the best workshop experience I’ve had to date.  Each day a little different with variations on the workshop process. Highly adaptable, Camille easily switched up or changed up her plan for the day based upon the needs as presented by the students and the progress we were making. Her prompts were demanding and the poetry birthed from them provided us with insight and innovation into our craft. Respect for the writer, the writing and the process was always evident.

I particularly enjoyed and appreciated when she called me out on my own workshop critique pet peeve. “We don’t say like or don’t like…” given that is a fundamental in my own book, No Red Pen: Writers, Writing Groups & Critique,  there was a certain irony to her holding us to that standard and having to remind me mid-workshop.

This is a conference I can highly recommend. I will be applying to return next summer.

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Sarah Bracey White Part IV

Welcome back to the final installment with Poet Sarah Bracey White. In part IV there’s a little bit more of the writing life and a few interesting facts Sarah shares with us. Sarah 6

VAH: Sarah, the blank page stares back at you, what gets you over writers block?

SBW: Usually I have so many things percolating on my mental back burner that when I get a chance to sit down at the computer, I don’t have time for writer’s block. I also visualize page after page flying out of my printer as I print out the completed work.

VAH: Percolating is an excellent image. That’s how I think about ideas swimming around in my brain also. Now, the brass tacks of the writing life – what do you do in order to keep up with what you send out and results of your submissions?

SBW: I wish I were more organized about submissions. I print out the cover letter and put it in a folder marked “submissions.” When CavanKerry Press called me to say that they had selected my book for publication from all the submissions they received during their open call, I had to ask them what book had I submitted to them. The Managing Editor laughed at me. It had been six months since I submitted and I assumed that I’d been rejected once again.

VAH: That’s a great writing story. Let’s move away from writing a bit. What little known fact about you will amaze and/or amuse?

SBW: I’m a gardener who’s afraid of worms and I always wanted to be a back up dancer for Tina Turner.

VAH: When I first saw your photo, I thought of Tina Turner. How fun. What is your favorite, inspiring quote and why it works for you?

SBW: “Live as if there’s no tomorrow; but plan for one just in case.” I wrote that quote because the promise of writing success is far-fetched, but the joy of writing fulfills me. Thus, I do both things, and thrive.

VAH: What are three random non-writing related facts about you?

SBW: I’ve taught firefighting. I’m a good ballroom dancer and cook. I’m very spiritual.

VAH: I think we could add a whole ‘nother series of interview questions off those three. We’re going to leave the readers wondering!

It’s your last meal – what would you eat?

SBW: A Maryland Crab Imperial appetizer, baked butterfly shrimp, macaroni and cheese, corn muffins, coleslaw, root beer soda, and banana pudding for dessert.

VAH: And why?

SBW: It would be my last meal because I was embarking on a life in an alternate universe where food and other physical things don’t exist.

VAH: Sounds like a story percolating. Thank you Sarah for taking the time to participate in Three by Five. Readers, below are some links to Sarah’s work and Sarah on the web.

Fiction: The Wanderlust

Interview in Lohud.com January 7, 2013

Memoir: Primary Lessons at CavanKerry Press

Dreaming In Color Living in Black and White, Page 39 Sarah Bracey White

Introducing Sarah Bracey White, Part I, Part II, Part III

Find Sarah on the web: WebsiteTwitter.

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Napa Valley Writers Conference, Here I Come!

Tomorrow morning, I depart for Napa Valley and the Napa Valley Writers Conference. One week of immersion in the writing life, writing community, and writing. I’ll be studying with Camille T. Dungy. I’m excited as I had the opportunity to attend a workshop at the last San Francisco Writers Conference where Camille was one of the presenters and that was both enjoyable and I gained some valuable insights.

I’m still fundraising for expenses related to attending this conference. Please visit WriteVickiWrite to find out more.

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Sarah Bracey White Part III

Welcome back to the third installment with author Sarah Bracey White, Poet and Essayist.

Sarah7VAH: This question is one asked often, especially by those who are not writers. Sarah, what helped you know you were a writer? When did it all begin?

SBW: I honed my storytelling skills as a 12 year old letter writer with a pen pal in South Dakota and a boyfriend in New Rochelle who both waited anxiously for my missives.  Nothing like an interested audience to make you know that you’re good at something and try to be better.

VAH: And what would be your best advice for emerging writers?

SBW: Read, learn the craft of writing and be prepared for the onslaught of rejections that will precede any success you may experience. And find a supportive writing group. Mine did an “intervention” when I considered giving up because nobody seemed interested in publishing my work. Thank God they did. Otherwise, I would never have made it to the place where I’m getting my memoir published.

VAH: Sounds like the “intervention” could be its own story.  Writing community – Do you have a favorite conference or writing retreat/seminar and if so, why is that a favorite?

SBW: No.  But I do belong to a writers’ group that for over 25 years has sustained, browbeat, and kept me writing when it seemed like a futile endeavor.

VAH: I know a few writers that have the benefit of a long time writers’ group – that’s a tremendous support. Sarah, are you a full time writer? And what is the day or night job that sustains you so you may write?

SBW: I am an arts consultant to a Westchester, NY town of 83,000 people. I curate exhibits by local artists in public buildings, manage a writing program for young children I designed the program as I would have wanted when I was a young writer, sponsor a poetry contest for poets of all ages, manage a group of poets who take poetry into under served places like hospitals, assisted living facilities, nursing homes, prisons, etc.  I also edit several publications and write grants to fund all my programs. The job challenges my creative side and feeds my love of people, which in turn fuels my writing.

Sarah’s interview wraps up on the 30th.

Introducing Sarah Bracey WhitePart I, Part II

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Coming in July – Sarah Bracey White

Three by Five welcomes Sarah Bracey White to its pages in July

Sarah WhiteSarah Bracey White was born in Sumter, SC. She is a librarian, teacher and motivational speaker. As a long-time arts consultant to the Town of Greenburgh, she designed and manages a creative writing program for children, edits an annual edition of their short stories and sponsors an annual poetry contest. The author of a collection of poetry, Feelings Brought to Surface, her creative essays are included in the anthologies Children of the Dream; Dreaming in Color, Living in Black and White; Aunties: 35 Writers Celebrate Their Other Mother; Gardening On A Deeper Level and Heartscapes. Her essays have been published in many regional newspapers and on the internetHer memoirPrimary Lessons, is scheduled for publication by CavanKerry Press in September, 2013. She lives with her husband in Westchester County, NY.

Primary Lessons: Sarah, a precocious five year old, is ripped from a middle-class life with surrogate parents in Philly and transplanted to a troubled, single-parent household in the Jim Crow south. Feeling alienated, she bristles at the poverty and unfairness, and refuses to accept the cultural system of segregation that tries to confine her — a system that her mother accepts as the southern way of life.

This coming-of-age memoir follows Sarah from Philadelphia to South Carolina – with its Colored water fountains – to the White Mountains of Vermont – where racism masquerades as classism – and finally to Baltimore, just as the 1963 March on Washington unfolds.  Sarah’s refusal to accept the cultural system that tries to confine her parallels the unrest of a nation seeking to re-define equality.  The author’s fiery spirit and unyielding sense-of-self sustain her through family, social and cultural upheavals. It also puts her at the forefront of the change that Martin Luther King dreamed about.

Join Three by Five on the 3rd, 13th, 23rd, and 30th to find out more about this author.

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And Then They Were Done…

Official-Remixer-Green1

The final 85 poems for the Pulitzer Remix project have posted. Taking part in this project was an experience that I won’t soon forget and will likely remain one of my writing life memories that I will cherish. In this project, I met a deadline to have a new poem, found from my assigned source text, every day for a month. I varied the forms some over the thirty poems but in the process discovered that I really like writing a narrative thread within the poetry I create. I discovered two Remixers (as we started calling ourselves) that lived locally to me and made other online writer friends with some of the other participants. I read some lovely, challenging, funny, striking, entertaining and so much more poetry across the span of April.

Working with a finite resource of words, for me what was found on two facing pages from the source, meant that I had to be exact with my selections. Each poem found was created with the anticipation similar to searching for the prize in a Cracker Jack box – not the prizes now, but the really cool ones from decades past.

I don’t really know how I was on the list of poets invited to participate. I am very glad, and grateful that I was. Jenni B. Baker over at the Found Poetry Review created a tremendous opportunity for poets that participated. I’m proud of what we collectively and individually created. There is some very beautiful wordsmithing over at Pulitzer Remix. If you’ve not read the work there, surf over – but hurry because after the middle of May, it will all be gone.

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Three by Five Presents Daniel Shapiro, Part II

“Write Only What you Can Write.”

dan at fallingwater 3.28.13 (1)

VAH – Daniel, when did you know you were a writer and what got you there?

DAS – I have known I was a writer since high school, but I didn’t start writing poetry seriously until about 15 years later. I had considered myself a music critic; I wanted to be the next Lester Bangs or Robert Christgau. Eventually, I wrote professionally as a journalist and advertising copywriter, and my experiences in those media have informed my poetry. When I was writing advertising blurbs for a catalog company, a couple of my co-workers were poets, and they would exchange poems with each other across cubicles. It was a sort of bonding experience, so I started participating in that and haven’t stopped writing poems since.

VAH – You have several chapbooks and a book – what is your best advice for emerging writers?

DAS – The only advice I can think of is that the best way to fit in is to acknowledge that you don’t fit in. Write what only you can write. Don’t tell people what you think they want to hear. If you’re a reality-show-loving Samoan with a scholarship to play the tuba, write about reality shows, Samoa, and tubas. No one else can do that! If you are that person and you decide to write about trees in autumn, ocean surf, your dying grandmother, and/or a difficult break-up, I will fly to Samoa and smack you with a stick made from the tree you wrote that poem about.

VAH – Many entering writing explore the idea of the Master of Fine Arts degree in writing – any thoughts?

DAS – I do not have an MFA. I am neither for nor against MFAs.

VAH – Writers write, read and seem to travel to where other writers gather – Do you have a favorite conference or writing retreat or seminar and what makes that one worth your while?

DAS – I have attended the AWP conference a couple of times and have loved it. It is a lot of fun to stalk your heroes, meet online friends in person, read poems aloud in places you’ve never been, meet the editors who have accepted your work, and hear poems you’ve admired for years read by their creators. It’s expensive, but it’s hard to put a dollar value on its overall positive effect. I plan to keep going.

VAH – What supports you so you may continue writing?

DAS – I am a special education teacher. When I tell people this, some of them say, “Bless your heart.” My job can be difficult, but it’s not the sort of thing you would see on “American Horror Story.” If any of the work weighs on me, I turn the weight into a poem, but usually I keep my career and writing separate.

Later in the month – Parts III and four of Three by Five’s presentation of Daniel Shapiro.
(Part I – Daniel discusses favorite literary characters, influences, his first creative piece of writing and why he writes.)

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Coming Soon for Poetry Month – Pulitzer Remix

Official Remixer 2013Coming soon – Pulitzer Remix for Poetry Month 2013. Eight-five poets, each taking one of the 85 fiction Pulitzer winners, posting a poem a day created from text drawn from the Pulitzer winning book. Check back every day in April for a new poem. In particular, you can follow the Found Poetry I’m creating from the 1970 Pulitzer for Fiction, The Collected Works of Jean Stafford.

Found poetry uses existing text, creating literary collages, using only what is already in the source text with little change.  The Poet refashion and reorders, creating something new.

Read more about Found Poetry at The Found Poetry Review and Poets.org. Visit Pulitzer Remix.

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