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Rebecca Foust Part IV

Rebecca Foust and the writing life…

VAH: AreFrost Place-back porch you a full time writer?

RF: Yes.

VAH: Is writing vocation, occupation, or profession?

RF: Vocation because I do it for love, not money.

VAH: When the page is blank what gets you writing?

RF: Writing—anything—gets me writing.

VAH: What is your “process” when working on a new piece of writing?

RF: Right drunk and revise sober. Let it all out in the first draft and then pare back and revise.

VAH: Do you have a submission system or plan?

RF: Yes, three times a year: fall, spring, summer.

VAH: What does your typical writing day include?

RF: Unfortunately it begins with answering  a ton of emails—the main reason I go on writing retreats is to get away from emails and social media.

VAH: That immersion into writing and the ability to turn off the tech is quite inviting.

Bonus:

VAH: If you had a super power, what would it be and why?

RF: Never have to sleep because I hate to sleep.

VAH: What is a little known fact about you that will amaze and/or amuse?

RF: I used to collect rocks.

VAH: How fun! I used to collect rocks too. In fact, I occasionally can’t resist picking up and stashing one away in my pocket.

Three random, non-writing facts about you?

RF: I love to cook. Have 3 kids. Am a pretty good snowboarder. Once was proficient on the stationary trapeze.

VAH: Who is your biggest fan?

RF: My sister Sandy Geimer.

 

Thank you Rebecca Foust, for taking the time to talk about your writing life.

Rebecca Foust Sampler:

Southern Indiana Review Spring 4014 Issue, “the fire is falling,” Jan 2014:

Dynamic Response of Multi-Layered Soil Media in the Frequency Domain,” featured on Poetry Daily, 2/1/15

“Biography,” “But What Can Wake You,” and “Eulogy,” published in OmniVerse, Fall 2014

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media: WebsiteTwitterFacebook.

Paradise Drive

Paradise_Drive_Cover_2-17-15

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Rebecca Foust Part III

April’s conversation with Poet Rebecca Foust continues. 

Part IIBecky_author photo_cropped_7-12-14I with Poet Rebecca Foust

VAH: What words of wisdom do you have for the emerging writer?

RF: Learn to accept rejection and to reject acceptance (Ray Bradbury). The writers who succeed are the ones who don’t give up. Do it for love, not money or fame because those things are not gonna happen. Enjoy the process. As Isak Dineson said, write every day with hope but without specific expectation.

VAH: What choices have you made regards to traditional or independent publishing and why?

RF: Traditional because with 5000 books of poetry a year getting published now, a writer has to do all she can to distinguish her work in the great wash.

VAH: What part does social media play in your writing career?

RF: Lately, more and more. FB is vastly more efficient than email for spreading the word. I am just learning twitter and the jury is out on whether this will be effective in helping to distribute my work.

VAH: Both can be useful marketing tools and just as effective time sucks.

Do you belong to writing or author organizations and what benefit have you found in doing so?

RF: Left Coast Writers at Book Passage in Marin is great. AWP conferences are great, too. And I love Marin Poetry Center, which offers so much for $25 a year: monthly readings by high profile poets, a monthly roundtable workshop, the chance to contribute to an annual anthology, and the opportunity to read in the summer traveling shows.

VAH: I’ll need to look into the Marin Poetry Center. Do you have any favorite online sites or blogs that you find useful or interesting?

RF: Narrative, Cortland Review, and the Best American Poetry and the North American and Mid-American Review Blogs.

More with Poet Rebecca Foust posting here on days that end in three (or occasionally begin with 3).

In the meantime, enjoy a sampling of her work:

Southern Indiana Review Spring 4014 Issue, “the fire is falling,” Jan 2014:

Dynamic Response of Multi-Layered Soil Media in the Frequency Domain,” featured on Poetry Daily, 2/1/15

“Biography,” “But What Can Wake You,” and “Eulogy,” published in OmniVerse, Fall 2014

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media: WebsiteTwitterFacebook.

Paradise Drive

Paradise_Drive_Cover_2-17-15

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Rebecca Foust Part II

April’s conversation with Poet Rebecca Foust continues. Today’s installment looks at what the writer reads.

VAH: Rebecca, Do you have a favorite literary character?

RF: Boo Radley

VAH: Harper Lee’s characters are often mentioned in response to that question. First time for Boo Radley though.

Any favorite authors?

RF: No, I love so many.

VAH: You’re stranded in a snowstorm, stuck on a deserted island. What books would you hope to have with you or find?

RF: Shakespeare and the bible.

VAH: The gamut of emotion there. Love, pain, joy, anger, revenge, hope, redemption, drama, comedy… and would last a while.

What is the most memorable book, story or poem you’ve read?

RF: Well, I just wrote a piece for Poetry Daily on Yeats’s “An Irish Airman Foresees His Death,” and that is the only poem I have ever truly memorized, so let’s say that one.

VAH: I find hope that you’ve only memorized one poem, since I can’t memorize anything.

Do you have a favorite book, poem, or story?

RF: I love the poems of George Herbert, Gerard Manley Hopkins and John Donne. My favorite book of poems is probably Ariel by Sylvia Plath, The House on the Marshland by Louise Gluck or Winter Stars by Larry Levis.

VAH: What author or books keep you up at night because you can’t put them down?

RF:  I recently loved The Sense of an Ending by Julian Barnes and Donna Tart’s The Goldfinch and The Secret History. I really loved The Old American by Ernest Hebert. Anything by Tobias Wolff is great. I love reading short stories too. Poems take more attention and work and it is hard for me to read them at night with the focus they require.

VAH: Reading poetry at night before bed would probably keep my mind awake, churning the images around. Which reader are you – always finish what you started or put it down and move on if you don’t like it?

RF: Always finish because I am stubborn and not a quitter.

More with Poet Rebecca Foust posting here on days that end in three (or occasionally begin with 3).

In the meantime, enjoy a sampling of her work:

 

Dynamic Response of Multi-Layered Soil Media in the Frequency Domain,” featured on Poetry Daily, 2/1/15

“Biography,” “But What Can Wake You,” and “Eulogy,” published in OmniVerse, Fall 2014

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media:

WebsiteTwitterFacebookParadise Drive

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Rebecca Foust Part I

Three by Five welcomes Poet Rebecca Foust. This installment focuses on writer beginnings.

VAH: Welcome Rebecca Foust to Three by Five! The first question is always – why do you write?

RF: I am impelled to by a pressure from within.

VAH: Why writing and what led you to identify as a writer?

RF: I’ve always been a writer but did not know it till the year I turned 50 and published my first poem and book.

VAH: That certainly gives the many older, emerging writers hope. Any influences with your development as a writer?

RF: So many—women writers like Sharon Olds, Molly Peacock Sylvia Plath, Elizabeth Bishop, Louise Gluck, and Gwendolyn were all important because in college we studied only Dead White Men and I needed role models to convince me that I could write, too. James Cummins’s book of hilarious and smart linked sestinas based on the Perry Mason TV series was a big source of inspiration for Paradise Drive.

VAH: I think that question is one of my favorites because it so often gives some back story to what the author is doing. For any difficult profession – seeing someone that looks like you that is successful makes such a huge contribution towards successful individual effort. Role models give hope.

What do you remember about your first story or poem?

RF: Don’t recall my first poem but “Mom’s Canoe,” my most widely anthologized poem was the first poem I published, in 2007 the year I turned 50.

VAH: I love the rhythm and music in that poem. Fifty is a milestone and Mom’s Canoe seems to have gotten you off to a fine beginning.

Do you have a favorite piece you’ve written to date?

RF: A very short poem called “Only” written for my son who has Aspergers.

VAH: That poem must be particularly close to your heart.

More with Poet Rebecca Foust posting here on days that end in three.

In the meantime, enjoy a sampling of her work:

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media:

WebsiteTwitterFacebookParadise Drive

Leave a comment

Filed under writing life

Three by Five Welcomes Poet Rebecca Foust in April

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not sibeck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media:

WebsiteTwitterFacebookParadise Drive

Leave a comment

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Three by Five Welcomes Back Trish Hopkinson with Three by Five Part IV

 Today wraps up the conversation with Poet Trish Hopkinson.

TH1VAH: What words of wisdom do you have for the emerging writer?

TH: The same I’ve been told by so many writers and professors—read more, write more. Beyond that, I like to share any other writing tips I come across and typically post them on my poetry blog.

VAH: What part does social media play in your writing career?

TH: It plays a much larger part than I originally expected. I follow the blogs and Facebook pages of lit mags and journals I like most, stay in touch with literary organizations, learn about opportunities from other poets and writers, post my publication successes, share poetry and other writing tips, promote fellow poets, and otherwise use my blog to support poetry and writing.

VAH: Do you belong to writing or author organizations and what benefit have you found in doing so?

TH: I am a member of the League of Utah Writers. So far, I’ve had too many conflicts to attend their meetings and gatherings, but I plan to attend their conference later this year and they have been supportive of work.

VAH: Do you have any favorite online sites or blogs that you find useful or interesting?

TH: Many! My favorite for inspiration and learning about new things is Brainpickings. They are constantly putting out new articles on a wide variety of topics. I also have several listed on my blog under Writing Resources, but my favorites are probably ErikaDreifus.com, The Review Review, and Winning Writers.

VAH: What was your writing education (formal or informal, structured or self-developed, etc.) and what were the pros and cons of your experiences?

TH: I was a nontraditional college student and spent several years taking one class at a time to gradually work toward my Bachelor of Science degree in English with a Creative Writing emphasis. Once my children got older I was able to take up to three classes at a time and finally graduated in December 2013. I’m now just staying active in continuing that education by writing, reading, and learning whenever I can—I call it a personal MFA. I may, at some point, discover I need a more formal community to continue progressing as a writer, but for now, I take an occasional workshop class online with Rooster Moans, go to a weekly open mic, and stay in touch with as many poets and writers as I can to build my writing community. Getting my undergrad really gave me all the tools I needed to continue learning and developing as a writer on my own. I don’t think I would have been able to learn all my education provided nearly as quickly on my own and I met some incredible writers and friends along the way.

VAH: Writing conferences, retreats, seminars – any favorites and why?

TH: I’d like to attend a writing conference at least once a year, but since this was my first year out of school, I haven’t had a chance to do so. I will likely check out everything I can locally before travelling to go to others.

Thanks so very much Trish for participating with Three by Five. For more of her published work, visit her publication list.

Bonus question: Three random, non-writing facts about you?

TH: I am a beer connoisseur, I have run two half marathons, and I volunteer at the Sundance Film Festival, 2015 will be my second year.

Provo, Utah poet Trish Hopkinson contributes to the writing community with her blog where she shares interesting writing tips, articles, calls for submissions (no fee only), and other info to help promote writing and poetry in general. She has always loved words—in fact, her mother tells everyone she was born with a pen in her hand. She has two chapbooks Emissions and Pieced Into Treetops and has been published in several anthologies and journals, including The Found Poetry ReviewChagrin River Review, and Reconnaissance Magazine. She is a project manager by profession and resides in Utah with her handsome husband and their two outstanding children. You can follow her poetry adventures online at her website, or Facebook or visit her on Linkedin.

Three by Five interviews publish on days that end in 3!

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Three by Five Welcomes Back Trish Hopkinson with Three by Five Part III

 

TH4Today’s installment of January’s Three by Five conversation with Poet Trish Hopkinson is about the writing life.

VAH: Are you a full-time writer?

TH: I have a full-time job as a project manager for a software company. I’ve been with the company for over 15 years and I love what I do, but writing poetry is a necessity for me. I just am not happy unless I make time for it.

VAH: What gets you writing?

TH: I collect writing prompts, but I rarely refer back to them. I almost always have something in mind or on a list that I want to write, and since I have limited time available to actually do the writing, I’m usually ready to go when I do sit down to write.

VAH: I’ve got a whole book of prompts and ideas and even have them land in my email box. Like you, I rarely refer back to them. What is your “process” when working on a new piece of writing?

TH: Once I have a topic, I start composing the first lines and edit as I go. Once I have the first draft done, I’ll go back and do the first revision immediately—look for better word choices to add alliteration, assonance, and/or consonance; take out all the line breaks and then put in new line breaks, etc. If I do get stuck mid-poem, I’ll look for a form to help me move it along, such as a villanelle or a sonnet.

VAH: Do you have a submission system or plan?

TH: My process for submitting has really evolved over the last year. Essentially, I rely on Duotrope to track most submissions, I put deadlines in my Outlook calendar, and I keep a spreadsheet of the poems I want to submit, have submitted, and whether or not they’ve already been published and where. Since my time is limited, it’s important to me to be as efficient as possible. I have templates for cover letters and several bios of different lengths to help the submission process go more quickly.

VAH: Duotrope has been very helpful for me. I found I’m able to keep better track of where I’ve sent a piece that has gone out numerous times and not yet found a home. I’m trying a spreadsheet this year, after years of a pen and notebook tracker as well as Duotrope. What does your typical writing day include?

TH: I usually try to spend a few hours a few days a week. I get the urgent stuff out of the way first—submissions with deadlines and blog posts. If I am writing something new for a submission, I make sure to give myself at least a couple of weeks to write and revise before the deadline. If I have an idea for poem, sometimes I just have to stop everything else that I’m doing and get it written.

 

More Trish Hopkinson later in the month. Till then, enjoy this poem – Footnote to a Footnote via the Chagrin River Review.

Bonus question: What is a little known fact about you that will amaze and/or amuse?

TH: I’m a Deadhead. I love the Grateful Dead and used to go to concerts whenever I could before Jerry Garcia died.

Provo, Utah poet Trish Hopkinson contributes to the writing community with her blog where she shares interesting writing tips, articles, calls for submissions (no fee only), and other info to help promote writing and poetry in general. She has always loved words—in fact, her mother tells everyone she was born with a pen in her hand. She has two chapbooks Emissions and Pieced Into Treetops and has been published in several anthologies and journals, including The Found Poetry ReviewChagrin River Review, and Reconnaissance Magazine. She is a project manager by profession and resides in Utah with her handsome husband and their two outstanding children. You can follow her poetry adventures online at her website, or Facebook or visit her on Linkedin.

Three by Five interviews publish on days that end in 3!

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Rock the Personal Essay

The personal essay is its own beast in the genre of nonfiction narrative. Essay is a personal favorite of mine and for a long while, (especially while laboring towards the MFA) the main focus of my writing. Tucking away into a Best of collection is a nice way to while away a rainy afternoon and there are shelves of annual travel, science, essay, and spiritual writing best of collections about my house. The telling of a personal event or moment that was intimately individual yet with universal resonance  is such an inviting medium.

Jessica Smock posted an excellent primer for how to write a personal essay in June last year that is en evergreen post if ever there was one. An editor for the HerStories Project, if you want some insight for how to get an editor to absolutely want your essay, surf on over and read her June 11, 2014 post How to Write a Personal Essay That Will Dazzle an Editor.

By the way, over at the HerStories Project, there is a call for submission for a new column called HerStories Voices for personal essays of 2000 words that will “highlight the best of women’s voices and show the uniqueness and commonalities of women’s experiences.” Here’s the link. Pays $40 when accepted for publication.

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Three by Five Welcomes Back Trish Hopkinson with Three by Five Part II

TH1

VAH: Welcome back to January’s conversation with Utah poet, Trish Hopkinson. In this installment, let’s talk a little about what the writer reads. Trish who would you say is your favorite literary character?

TH: Dean Moriarty from Jack Kerouac’s novel On the Road. I really loved the free spirit and mystery of Neal Cassady, of whom the character was based upon.

VAH: What about a favorite author?

TH: I really love Ernest Hemingway. His writing seems accessible, inspiring, and entertaining. I need to read much more of his work.

VAH: He was once my favorite also. I’ve moved on to Diana Gabaldon now as my all time favorite. Trish, imagine you’re stranded in a snowstorm, stuck on a deserted island. What books would you hope to have with you or find?

TH: Moby Dick. Because I still haven’t finished it! I just never seem to have the time I want to spend reading it as carefully as I’d like to.

VAH: Your likelihood of being stranded in a snowstorm there in Provo is probably higher than on an island. That’s a good long read to have on your phone or tucked in your bag. Do you have a most memorable book, story or poem you’ve read?

TH: “Daddy” by Sylvia Plath. I discovered her work when I was in my early teens and it fascinated me. I had never really read confessional poetry until then and I was hooked immediately.

VAH: There’s a lot to unpack in that one. And what is your favorite book, poem, or story?

TH: “I felt a Funeral, in my Brain, (340)” by Emily Dickinson. I love her concise style and the power she packed into every syllable.

VAH: That’s an interesting one to spend some time with.

Thanks Trish, for this delightful look into what the writer reads.

And now, a bonus, random life question. If you had a super power, what would it be?

LH: Well, to stop time of course!

More Trish Hopkinson later in the month. Till then, enjoy this poem – A Poet Searches for ‘Sex’ in the Salt Lake Tribune.

Provo, Utah poet Trish Hopkinson contributes to the writing community with her blog where she shares interesting writing tips, articles, calls for submissions (no fee only), and other info to help promote writing and poetry in general. She has always loved words—in fact, her mother tells everyone she was born with a pen in her hand. She has two chapbooks Emissions and Pieced Into Treetops and has been published in several anthologies and journals, including The Found Poetry ReviewChagrin River Review, and Reconnaissance Magazine. She is a project manager by profession and resides in Utah with her handsome husband and their two outstanding children. You can follow her poetry adventures online at her website, or Facebook or visit her on Linkedin.

Three by Five interviews publish on days that end in 3!

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Martin Elwell Part 3

elwell readingThree by Five spends a little more time with Poet Martin Elwell, a New Hampshire based poet and editor. His poems have appeared in Extract(s), The Found Poetry Review, Empty Mirror Magazine of the Arts and other places. He co-edited Bearers of Distance, an anthology of poems by runners from Eastern Point Press, and he is News & Resources Editor for The Found Poetry Review.

VAH: We’ve explored a little about your writing and writing life, how about sharing a little known fact about you will amaze or amuse Three by Five’s readers?

ME: My college friends call me The Wall. The nick name came out of an overweight teenager’s inspiring performance on the intramural soccer field. That’s all you need to know.

VAH: Ahh, fortunate for you, no camera phones! How about a favorite, inspiring quote and why it works for you?

ME: I don’t know who said it first, but I’ve seen it used in reference to a lot of modern, postmodern and contemporary art. When someone says, “I could have done that,” in response to a piece of art in a gallery, a poem on a page, a book on the shelf or whatever it may be, the response is, “yeah…but you didn’t.” I think that response is representative of the art world that we live in today. If you’re waiting to make the perfect piece, waiting to make something totally new or waiting for someone to pluck you out of obscurity, you’re going to be waiting a long time. The only way to bring ideas to fruition is to do it yourself. The only way to get positive energy back from the world is to put positive energy into it. Get out there, create stuff, appropriate and change stuff, make connections, take risks…then no one can tell you that you didn’t.

VAH: And who hasn’t said, or thought, “Oh, I could have done that!” Actually creating and taking risks, that’s the hard step forward so many just don’t take.

What are three random non writing related facts about you?

ME: I can juggle. I run marathons. I was once president of the chess club.

VAH: I’m in awe of juggling. I am a horrible juggler. So, imagine for whatever reason, you are about to have your last meal. What would you have?

ME: This is a tough one. I’m a peanut butter addict, but it’s more of a guilty pleasure than a last meal sort of food. I’ve been on a veggie Pad Thai kick lately, so that comes to mind. I love cheese, though, so maybe a nice flatbread pizza with an IPA.

…now I’m hungry.

I grew up in Massachusetts, so my last meal would probably be brought about by an unfortunate situation related to my excellent driving skills.

VAH: Hmmm, let’s not go there. Back to books. Are you a finish the book once you’ve started kind of reader or leave it for another if don’t like the book sort of reader?

ME: I’m a slow reader. I read mostly poetry, philosophy and non-fiction, and many of the books I read require a lot of my focus and attention to fully grasp what is being presented by the author. Also, I tend to read several books at a time. For example, I like to read a book of poetry while reading a prose book. I like the variety of varying genres, and I also like to have the option to read something lighter or heavier depending on my mood. It could take me two years to finish a book by Nietzsche, or two hours to finish a small anthology of erasure poetry. I don’t finish every book I start, but there is a long separation process before I put a book down for good.

VAH: “A long separation process…” If you return to a book put down long ago, was it left or just delayed? A point to ponder.

Martin, thanks for joining us with Three by Five. We’ll finish up the conversation at the end of the month on the 30th.

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