Tag Archives: writer

In November – Novelist Chase J. Jackson

Chase J. Jackson, writes mystery, thriller, and suspense. unnamed-1

VAH: The kick off question is always why do you write?

CJJ: I write because writing is one of the most powerful forms of self-expression. I love the idea that I can create characters, dialogues and situations that people can relate to and can get a message from.

VAH: What got you started?

CJJ: I became a writer in the 4th grade. I remember my teacher gave an assignment with a variety of words listed and we had to create a story using those words. I wrote the story and when the teacher gave me my assignment back she asked if I got that story from somewhere. I told her I didn’t and she said it was really good. That’s when I felt like a writer.

VAH: Who were your influences:

CJJ:  R.L. Stine Goosebumps and Fear Street books influenced me as a writer. My friends and I collected all of them when we were in elementary school.

VAH: What do you remember about one of your earliest stories?

CJJ: I remember writing a story in the 6th grade about one of my classmates. The teachers thought he was funny, girls loved him & all the guys thought he was so cool. So I thought, this guy has to be an alien. There’s no way someone is this well rounded in the 6th grade. So I remember writing a story about him being an alien.

VAH: And your favorite piece that you’ve written?

CJJ: My favorite piece that I’ve written to date is my first novel, Whispers In The Dark. I spent a lot of time working on this book and developing the characters and making sure there was a message that readers can take from this story.

 

Chase J. Jackson Bio:

Born and raised in Atlanta, Georgia, Chase J. Jackson developed an interest for writing suspense and mystery at an early age after reading all of R.L. Stine’s Goosebumps books. As a teenager, Chase began writing short stories and poetry based on his experiences. After winning a local poetry slam, Chase decided to bring his writing to life through the art of film. During his collegiate career at the University of West Georgia, Chase studied literature, cinematography, and film editing, ultimately graduating with a bachelor’s degree in English. Working two jobs to save money for film equipment, Chase filmed one of his short stories, Paralysis, which chronicles a teenager named Alyssa as she battles with sleep paralysis. In 2011, Paralysis was nominated for Best Film by The Peachtree Village International Film Festival.After college, Chase dedicated his time to writing his first novel Whispers in the Dark. Chase’s goal is to keep the readers interest from the very first page to the very end, keeping them on the edge of their seat until an ultimate surprise ending. Chase’s future plans include writing his second novel, The Parish Prophecies, and traveling across the country to film other various projects.

 

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July’s Three by Five – a chat with Matthew J. Pallamary

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And we’re back!

An extra-long Three by Five with Matthew J. Pallamary since due to technical breakdown, he lost out on part of July. Writing life, writing community, and random facts all rolled into one.

VAH: Are you a full-time writer?

MJP: I write, edit, and teach full-time to make ends meet. If not writing, I would probably have a high level technology job as that is where I used to make my money.

VAH: Would you say writing is a vocation, occupation, or profession?

MJP: Yes – probably more aptly defined as an obsession.

VAH: Young writers often ask about writers block. When the page is blank, what gets you writing?

MJP: Getting out of my intellectual and emotional bodies and into my moving body. I go into great detail about these dynamics in my upcoming book Phantastic Fiction – A Shamanic Approach to Story.

VAH: Sounds interesting, and a different approach to writing. What is your “process” when working on a new piece of writing?

MJP: Research, gestation, outline, and then a draft.

VAH: I always find the research phase challenging. I’m inpatient.

What does your typical writing day include?

MJP: Writing, editing, and promotion.

VAH: Promotion – such a big part of the author’s job in the current publishing climate.

What about the writing community? What words of wisdom do you have for the emerging writer?

MJP: Writing = Ass in chair.

Just because it is easy to publish does not mean that you are ready. Writing is far more of a complex art and craft than people realize. One well known quote says, “There is no such thing as writing, there is only rewriting.”

If you are not doing it because you love it and have fantasies of being rich and famous, then you are in for a world of disappointment.

VAH: That is a quite often repeated quote of Robert Graves. Matthew, what choices have you made regards to traditional or independent publishing?

MJP: I am Independent all the way. I have been writing for well over thirty years and have seen and experienced all manner of disappointment and thoughtlessness as well as three agents who never did anything for me. For me, there is nothing more satisfying than having complete creative control as well as all the rights to my works.

VAH: That creative control is both enticing and challenging. Everything is now your responsibility. Getting the writing out there – what part does social media play in your writing career?

MJP: I have been involved with it from the start as a means to promote my writing and see it as a kind of necessary evil. Having said that, unfortunately it is being flooded by volumes of “not ready for prime time” crap that muddies the waters with all the desperate “Buy my book!” posts.

VAH: I’m in agreement with that. If one is going to independently publish, the standard remails make a book as good as the big publishing house does.

Have you found a benefit to writing or author?

MJP: I have been teaching my Phantastic Fiction workshops at the Santa Barbara Writer’s Conference and the Southern California Writer’s Conferences for twenty five years now and have been a member of numerous other IMG_1704conferences, conventions, and workshops.  These conferences are my writing family. Everyone needs to get input from sources outside their immediate family and friends if they want to improve. They especially need it from those with more experience to share.

VAH: What was your writing education?

MJP: Other than a creative writing class and English classes in general, I have gotten the most from hands on writing read and critique groups led by qualified professionals and by attending writer’s conferences.

Your favorite writing conferences, retreats, seminars?

The Santa Barbara Writers Conference and The Southern California Writers’ Conference.

I have taught at both of them for twenty five years and they are my family.

VAH: I’ve had the same experience with the San Francisco Writers’ Conference. A core of people I see only once a year at the conference yet I consider close friends and my writing family.

Now, a little fantastical and random life –

If you had a super power, what would it be and why?

MJP: Omniscience – so I could be everywhere at once and fully aware of everything.

VAH: Haven’t heard that one before! How about in a movie about your life and times, who would play you? What would the theme song be and why?

MJP: Mark Wahlberg – because he grew up in Dorchester where I did.

I’ve already written Spirit Matters, an award winning memoir. The song would be “Flying in A Blue Dream” by Joe Satriani because I love the energy of it.

VAH: What is a little known fact about you that will amaze and/or amuse?

MJP: I have been working extensively with visionary plants in the Amazon for fifteen years now.

VAH: What are three random, non-writing facts about you?

MJP: I am an accomplished drummer and vocalist. My mother was a famous child acrobat. I have an extensive background in technology.

VAH: And who is your biggest fan?

MJP: Margaux Dunbar Hession.

VAH: If you knew tomorrow at midnight was your last day – how would you spend it and what would your last meal be?

MJP: I would spend it in the rain forest under the influence of powerful visionary plants to get as much of a preview of “the other side” as I could, so I could have some kind of idea of where I am heading. My last meal would be Thai food.

VAH: Big, nasty bug in the kitchen – what do you do?

MJP: Help it out the door.

VAH: Favorite quote and why?

MJP: “Through the ages, countless spiritual disciplines have urged us to look within ourselves and seek the truth. Part of that truth resides in a small, dark room — one we are afraid to enter.”

It is mine from my first published book – a short story collection titled The Small Dark Room of the Soul and Other Stories.

VAH: Thank you Matthwe J. Pallamary for participating in Three by Five.

Matthew J. Pallamary’s historical novel Land Without Evil, received rave reviews along with a San Diego Book Award for mainstream fiction and was adapted into a stage and sky show by Agent Red, directed by Agent Red, and was the subject of an EMMY nominated episode of a PBS series, Arts in Context.

He has taught a Phantastic Fiction workshop at the Southern California Writers’ Conference in San Diego, Palm Springs, and Los Angeles, and at the Santa Barbara Writers’ Conference for twenty five years, and is presently Editor in Chief of Muse Harbor Publishing.

His memoir Spirit Matters took first place in the San Diego Book Awards Spiritual Book Category, and was an Award-Winning Finalist in the autobiography/memoir category of the National Best Book Awards.  He frequently visits the jungles, mountains, and deserts of North, Central, and South America pursuing his studies of shamanism and ancient cultures.

Connect with Matthew J. Pallamary:

Web site.  Facebook. Twitter. LinkedIn. Smashwords author page.

Sampler:

The Small Dark Room of the Soul and other stories – Preview.

Land Without Evil.

Spirit Matters a Memoir

A Short Walk to the Other Side – A Collection of Short Stories

DreamLand

Eye of the Predator

CyberChrist

The Infinity Zone

CyberChrist launched in December 2014cyber christ book cover

Ashley Butler, a prize winning journalist at the San Diego Times receives an email from a man who claims to have discovered immortality by turning off the aging gene in a 15 year old boy with an aging disorder. The email has pictures showing a reversal of the aging process and the names of a scientist and a company to investigate. Thinking it a hoax, she forwards the email to friends.

Though skeptical, she calls to investigate and gets a no longer in service message. When she leaves her office she overhears a news story about the death of the scientist mentioned in the email.

Ashley checks out the company mentioned in the email and discovers a gutted building. At the deceased scientist’s address she has a confrontation with an unfriendly federal investigator. Returning to her office she finds him, subpoena in hand, confiscating her computer. He tells her that the scientist who sent the email is a killer that they need help catching. When her own investigators do more checking, none of them return.

The forwarded email becomes the basis for an online church built around the boy, calling him the CyberChrist. The church claims that the Internet is the physical manifestation of the group mind of humanity and the boy is the second coming of Christ online.

The federal government tries to shut down the church, but its website replicates faster than they can stop it. While church and state battle over religious freedom online, the media and the state battle over freedom of speech.

Ashley battles to stay alive.

book cover phantastic fiction

Due out in 2015 –

Matthew J. Pallamary’s popular Phantastic Fiction Workshop has been a staple of the Santa Barbara Writers Conference and the Southern California Writer’s Conference for over twenty five years. He has also lectured at numerous other venues and led his own weekend intensive workshops.

Matt has spent extended time in the jungles, mountains, and deserts of North, Central, and South America pursuing his studies of shamanism and ancient cultures. Through his research into both the written word and the ancient beliefs of shamanism, he has uncovered the heart of what a story really is and integrated it into core dramatic concepts that also have their basis in shamanism.

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July’s Three by Five – a chat with Matthew J. Pallamary Part Two

IMG_1590Matthew J. Pallamary and writer reads…

VAH: Who is your favorite literary character?

MJP: Carlos Castaneda’s Don Juan and Dr. Dolittle when I was very young.

VAH: Do you have a favorite author?

MJP: Ray Bradbury. He was always passionate and supportive of other writers and he graced me with a blurb for my first short story collection. He rarely if ever gave out blurbs. I learned volumes from him.

VAH: You’re stranded in a snowstorm, stuck on a deserted island. What books would you hope to have with you or find?

MJP: War & Peace. Carlos Castaneda’s books, Hanta Yo

They all transported me to magical times and places which provided great escapes.

VAH: What is the most memorable book, story or poem you’ve read?

MJP: My mother handed me The Exorcist when I was in high school. I went into my bedroom at 7:30 that night and emerged 7:30 the following morning when I finished it.

VAH: Do you have a favorite book, poem, or story and why?

MJP: Zen and the Art of Motorcycle Maintenance stands out as it delves into the nature of truth, logic, and perception.

VAH: What author or books keep you up at night because you can’t put them down?

MJP: Nothing since The Exorcist, but I am admittedly a bit burned out and jaded after reading, critiquing and editing thousands of manuscripts.

VAH: Which reader are you – always finish what you started or put it down and move on if you don’t like it? Why?

MJP: Once I start, I finish 99% of the time. Something can be learned, even from bad writing and stories.

More Matthew J. Pallamary this month, on days that end in 3.

Matthew J. Pallamary’s historical novel Land Without Evil, received rave reviews along with a San Diego Book Award for mainstream fiction and was adapted into a stage and sky show by Agent Red, directed by Agent Red, and was the subject of an EMMY nominated episode of a PBS series, Arts in Context.

He has taught a Phantastic Fiction workshop at the Southern California Writers’ Conference in San Diego, Palm Springs, and Los Angeles, and at the Santa Barbara Writers’ Conference for twenty five years, and is presently Editor in Chief of Muse Harbor Publishing.

His memoir Spirit Matters took first place in the San Diego Book Awards Spiritual Book Category, and was an Award-Winning Finalist in the autobiography/memoir category of the National Best Book Awards.  He frequently visits the jungles, mountains, and deserts of North, Central, and South America pursuing his studies of shamanism and ancient cultures.

San Diego, CA

Connect with Matthew J. Pallamary:

Web site.  Facebook. Twitter. LinkedIn. Smashwords author page.

Sampler:

The Small Dark Room of the Soul and other stories – Preview.

Land Without Evil.

CyberChrist launched in December 2014cyber christ book cover

Ashley Butler, a prize winning journalist at the San Diego Times receives an email from a man who claims to have discovered immortality by turning off the aging gene in a 15 year old boy with an aging disorder. The email has pictures showing a reversal of the aging process and the names of a scientist and a company to investigate. Thinking it a hoax, she forwards the email to friends.

Though skeptical, she calls to investigate and gets a no longer in service message. When she leaves her office she overhears a news story about the death of the scientist mentioned in the email.

Ashley checks out the company mentioned in the email and discovers a gutted building. At the deceased scientist’s address she has a confrontation with an unfriendly federal investigator. Returning to her office she finds him, subpoena in hand, confiscating her computer. He tells her that the scientist who sent the email is a killer that they need help catching. When her own investigators do more checking, none of them return.

The forwarded email becomes the basis for an online church built around the boy, calling him the CyberChrist. The church claims that the Internet is the physical manifestation of the group mind of humanity and the boy is the second coming of Christ online.

The federal government tries to shut down the church, but its website replicates faster than they can stop it. While church and state battle over religious freedom online, the media and the state battle over freedom of speech.

Ashley battles to stay alive.

 

 

 

 

 

 

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July’s Three by Five – a chat with Matthew J. Pallamary

 

Author PhotoWelcome Matthew J. Pallamary. Let’s start with writer beginnings.

VAH: Three by Five always starts with asking why do you write?

MJP: I am passionate about my search for truth and meaning and I believe that I have a unique perspective on reality that comes from a life time of exploration, particularly in non-rational and non-ordinary shamanic realms that defy description and can only be experienced directly. Most people never get to experience reality in these ways, so I have spent a lifetime trying to articulate them to give my readers a glimpse of an expansive perspective that pushes the boundaries of the “known” world.  

VAH: Why did you become a writer and when did you know or feel like you were a writer?

MJP: English was by far my best subject in school. Everything else was secondary. I won school wide spelling bees and excelled as a storyteller. When I took a creative writing course in college I had to write an essay, which was to be turned in as a first draft to the teacher, then re-written and typed out for a final grade. I wrote my first draft about my first experience skydiving in longhand and when the teacher read it, she said, “This is excellent. You don’t have to do anything else. You get an “A”.”

VAH: Any influences on your development as a writer?

MJP: I was blessed to be taken in and more or less adopted by the Santa Barbara Writer’s Conference where I had the tremendous good fortune to be mentored by Ray Bradbury, Charles Schulz, leading L.A. Times film critic Charles Champlin, and Barnaby Conrad as well as learning from Elmore Leonard, Robert B. Parker, Gore Vidal, and many others. In San Diego, I have had an awesome friendship with science fiction writer David Brin.

VAH: What do you remember about your first piece of writing?

MJP: I am also a drummer and a vocalist, so my first poem/songs were about my search for truth and meaning. My first published piece was an article titled “Whose Reality is it Anyway?” which was published in an inspirational magazine. It had to do with the multitude of different ways that people view the world.

VAH: What is the favorite piece you’ve written to date?

MJP: I remember reading an interview with Billy Joel many years ago where he was asked, “What is your favorite song that you have written?”

His answer that I have paraphrased here was, “They are all my children and though they are different in popularity and achievements, I love them all equally.”

 

More Matthew J. Pallamary this month, on days that end in 3.

Matthew J. Pallamary’s historical novel Land Without Evil, received rave reviews along with a San Diego Book Award for mainstream fiction and was adapted into a stage and sky show by Agent Red, directed by Agent Red, and was the subject of an EMMY nominated episode of a PBS series, Arts in Context.

He has taught a Phantastic Fiction workshop at the Southern California Writers’ Conference in San Diego, Palm Springs, and Los Angeles, and at the Santa Barbara Writers’ Conference for twenty five years, and is presently Editor in Chief of Muse Harbor Publishing.

His memoir Spirit Matters took first place in the San Diego Book Awards Spiritual Book Category, and was an Award-Winning Finalist in the autobiography/memoir category of the National Best Book Awards.  He frequently visits the jungles, mountains, and deserts of North, Central, and South America pursuing his studies of shamanism and ancient cultures.

San Diego, CA

Connect with Matthew J. Pallamary:

Web site.  Facebook. Twitter. LinkedIn. Smashwords author page.

Sampler:

The Small Dark Room of the Soul and other stories – Preview.

Land Without Evil.

 

 

 

 

 

 

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Carol A. Stephen – Writing Life and Community

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Back with Carol A. Stephen with the writing life and writing community.

VAH: Are you a full time writer?

CAS: I am a retired small “a” accountant/credit professional, so I am free to write or not as I choose. Except, of course, for the compulsions!

VAH: Is writing vocation, occupation, or profession?

CAS: I’d say a vocation. I do it because I am compelled and because I have a love for language.

VAH: When the page is blank what gets you writing?

CAS: Reading other poets, finding a good writing prompt.  Occasionally something will come from just brainstorming/wild-minding, but not very often. I have to read.

VAH: What is your “process” when working on a new piece of writing?

CAS: To start with, I usually have an “earworm” phrase demanding to be written down.  If I have a list of words, I might just start writing in a word association kind of way and the poem may take off from there. I have a couple of projects in mind, but poems are more likely to come from specific phrases rather than just a more general theme.

VAH: Do you have a submission system or plan?

CAS: That is on my list of resolutions every year. I don’t know what holds me back, but I don’t submit regularly.

VAH: What does your typical writing day include?

CAS: Many distractions on the internet. Writing new poems takes precedence over polishing ones already written.  The best poems are always the newest ones. That might be why I don’t submit as often as I think I should!

VAH: What words of wisdom do you have for the emerging writer?

CAS: Read, read, read. Try new techniques, especially those new forms that you think won’t work for you. And submit!  (Yes, wisdom I should include in my own plans!)

VAH: What choices have you made regards to traditional or independent publishing?

CAS: Most of my individual published poems have been in online magazines where I’ve been successful submitting before.  Of my three chapbooks, one I published myself, another was under a friend’s imprint, and the new one is published by a small press run by a poet I’ve “known” online for years.  I’m a late bloomer, and not sure I want to wait the long times it takes for traditional publishing to take place. Online publishing also reaches a larger audience, even more quickly than self-publishing.

VAH: What part does social media play in your writing career?

CAS: I have a blog, where I write about literary events in and around Ottawa, Ontario, but also to showcase my poetry and my chapbooks. I’m on Facebook and Twitter and recently have become more active on Tumblr. 

VAH: Do you belong to writing or author organizations?

CAS: I am a member of the League of Canadian Poets, The Ontario Poetry Society and I belong to a small poetry group, The Field Stones. I am rejoining the board of Arts Carleton Place, where I live, and I am a former member of Canadian Authors Association, National Capital Region.

VAH: Do you have any favorite online sites or blogs that you find useful or interesting?

CAS: Poetry Foundation, Academy of American Poets, Places for Writers, Winning Writers, Found Poetry Review, Ron Silliman’s blog, Bill Moyers.com, Writers Digest, and many others.

VAH:What was your writing education?

CAS: In high school we studied it as part of the English curriculum. Since 2006, I’ve taken an online course at Algonquin College, and a follow-up private course with the same instructor, as well as a 10-week Stanford course with James Arthur and later a week-long retreat with him in Lenox, Mass.

VAH: Writing conferences, retreats, seminars – any favorites and why?

CAS: The retreat [mentioned earlier] with James Arthur was a chance to work in group with some of the poets I’d met in the online Stanford class, as well as time to discuss my work one-on-one with James.  I’ve participated in several weekend “master” workshops through Ottawa’s Tree Reading Series with prominent Canadian poets. These were amazing opportunities to work with some of Canada’s top poets in a small class (max 12 participants) I also attended a 5-day writing conference through Canadian Authors Association, which provided workshops across various genres, and opportunities to network that have been invaluable.

Thank you Carol A. Stephen for contributing your thoughts on writing and the writing life.

Sample Carol’s work:

Carol reading her work here.

Howe and Stephen (the light ekphrastic)

 Stephen and Karkar (the light ekphrastic)

Imworld and Stephen (the light ekphrastic)

Learning to Dance (Silver Birch Press)

Waiting for Green Mornings (Silver Birch Press)

In a Moment She’ll Unfurl (the light ekphrastic)

Carol A. Stephen is a Canadian poet, poetry selector for Bywords Journal and a member of the League of Canadian Poets. She’s served on boards of Canadian Authors Association, National Capital Region (CAA-NCR), Arts Carleton Place and Tree Reading Series Ottawa. Carol coordinated CAA’s poetry circle 2008-2013.

Her poetry has appeared in Bywords Quarterly Journal, Tree Press/phaphours press chapbooks and online at The Light Ekphrastic and Silver Birch Press. Chapbooks: Above the Hum of Yellow Jackets, Bondi Studios, 2011 and Architectural Variations, Quillfyre Publishing, 2012. Ink Dogs in my Shoe, Dec. 2014 from Nose In Book Publishing, Castlegar B.C.

Awards: 3rd Prize CAA 2012 National Capital Writing Contest for Walking in Thomson’s Red Sumac. Honourable Mentions: VERSeFest, Poetry for the End of the World, 2012, Arborealis 2012 and 2008 Ontario Poetry Society, Double Your Pleasure 2013 Ontario Poetry Society and CAA’s 2008 and 2011 National Capital Writing Contest.

Recent publication: In December, 2014 her third chapbook, Ink Dogs in my Shoes, was published by Nose In Book Publishing, Castlegar, B.C. This is a chapbook of poems all containing some element of three in them. Subjects range from garden to writing process to nonsense rhymes, and some explore conceptual poetry or experiment with wordplay.

SOCIAL MEDIA LINKS: TwitterFacebookBlog

Three by Five posts on days that end in threes.

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Carol A. Stephen – Writer Reads

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VAH: Who is your favorite literary character?

CAS: I can’t choose between Custard, the Cowardly Dragon and The Cheshire Cat.

VAH: Do you have a favorite author?

CAS: Perhaps Richard Wagamese, a Canadian First Nations author, who wrote Dream Wheels. It won the Canadian Authors Association award for fiction in 2007. I read a single line from the back cover and was hooked.  Wagamese is a powerful storyteller, one of the best I’ve read. He weaves together both compelling story and First Nations customs which are fascinating. Many books I read and forget but not this one.

VAH: You’re stranded in a snowstorm, stuck on a deserted island. What books would you hope to have with you or find? Why these choices?

CAS: Poetry for sure, but not a single author. An anthology, a big one, with poets from the 20th and 21st century and a book of writing prompts, perhaps The Poet’s Companion, so that I am inspired to keep writing. Novels that have interesting older women, characters that get into odd situations but all’s well in the end.  Romance optional. Humor essential!

VAH: What is the most memorable book, story or poem you’ve read? How so?

CAS: I started to say The Water Babies, by Charles Kingsley, something my parents read to me when I was a child. I always remember two characters: Mrs Doasyouwouldbedoneby  and Mrs. Bedonebyasyoudid. I recall it as a morality tale for children, but I think even more influential would have to be A Child’s Garden of Verses, Robert Louis Stevenson. That book probably was my first acquaintance with poetry and some of the poems still stay with me today.

VAH: Do you have a favorite book, poem, or story?

CAS: I have a lot of favorite poems, but I will share this one:

The Hush of the Very Good” Todd Boss (c 2008) 

I’m not sure how I first came to this poem, but I remember hearing Todd Boss read The Hush of the Very Good online. The poem describes a kiss, a particularly good kiss, while juxtaposing it with a metaphoric small boat. The images are so vividly drawn using simple language. But it isn’t just that. Visually, it’s the unusual way the lines break, short lines clinging to the right margins, then back to the left, like waves the wake of a boat makes.

The poem asks questions, draws the reader in. It’s a poem to be read aloud, to wrap your tongue around long ohhh sounds and soft sibilants, sounds are very reminiscent of ocean and waves, the whisper of reeds, and the poem slows down, then speeds up through short words and hard consonants, b, p, d. It’s just such a lush poem to read out loud.

Next installment – Carol A. Stephen shares about her writing community.

Sample her work:

Learning to Dance (Silver Birch Press)

Waiting for Green Mornings (Silver Birch Press)

In a Moment She’ll Unfurl (the light ekphrastic)

Carol A. Stephen is a Canadian poet, poetry selector for Bywords Journal and a member of the League of Canadian Poets. She’s served on boards of Canadian Authors Association, National Capital Region (CAA-NCR), Arts Carleton Place and Tree Reading Series Ottawa. Carol coordinated CAA’s poetry circle 2008-2013.

Her poetry has appeared in Bywords Quarterly Journal, Tree Press/phaphours press chapbooks and online at The Light Ekphrastic and Silver Birch Press. Chapbooks: Above the Hum of Yellow Jackets, Bondi Studios, 2011 and Architectural Variations, Quillfyre Publishing, 2012. Ink Dogs in my Shoe, Dec. 2014 from Nose In Book Publishing, Castlegar B.C.

Awards: 3rd Prize CAA 2012 National Capital Writing Contest for Walking in Thomson’s Red Sumac. Honourable Mentions: VERSeFest, Poetry for the End of the World, 2012, Arborealis 2012 and 2008 Ontario Poetry Society, Double Your Pleasure 2013 Ontario Poetry Society and CAA’s 2008 and 2011 National Capital Writing Contest.

Recent publication: In December, 2014 her third chapbook, Ink Dogs in my Shoes, was published by Nose In Book Publishing, Castlegar, B.C. This is a chapbook of poems all containing some element of three in them. Subjects range from garden to writing process to nonsense rhymes, and some explore conceptual poetry or experiment with wordplay.

SOCIAL MEDIA LINKS: TwitterFacebookBlog

Three by Five posts on days that end in threes.

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Carol A. Stephen – Writer Beginnings

PurplehatVAH: Welcome to Three by Five, Carol. Do tell, why do you write?

CAS: It seems to be a compulsion really. Words, phrases, ideas come to me, seemingly at random, but they won’t let go ‘til I put them into a poem.

VAH: Why did you become a writer and when did you know or feel like you were a writer?

CAS: I hadn’t written in 25 years, but after my husband died, I began to find the poetry coming again. I decided it was time to find out whether I was really a poet or a dabbler. I first felt like a poet when a workshop leader wanted to steal one of my lines.

VAH: Ah, that sounds validating. “A poet or a dabbler.” A good question for introspection. Is there someone or something that influenced your development as a writer?

CAS: Reading other poets is a big influence. When I am not reading, I am usually also not writing. Taking workshops, trying new techniques I didn’t like at first because I didn’t understand the process. Mentors have played a big role too. They include Canadian poets Brent Robillard, (that first workshop leader), Bernice Lever, Harold Rhenisch, Barry Dempster, Roo Borson, John Barton, Phil Hall, Stuart Ross.  Canadian-American poet James Arthur.  Al Filreis, who teaches Modern & Contemporary American Poetry at UPenn via Coursera online and Robert Pinsky.

VAH: What do you remember about your first story or poem?

CAS: I actually have the first poem I wrote as a teenager in high school. It was written in March 1963, or so my file copy shows, has no title, and is a rhyming poem.  I don’t remember whether it was written for class or just on a whim. But the second one seems to be a riff on The Daffodils by William Wordsworth.

VAH: And do you have a favorite piece you’ve written to date?

CAS: My favorite poem always seems to be among the most recent of my poems, although Jammin’ on the 16 is one I like because of its sound and the way it feels on the tongue.  It’s an Ekphrastic poem, written to pair with a painting by Dina Karkar on The Light Ekphrastic, Nov. 2012:

Jammin’ on the 16

Fire foregrounds the hot yellow burn—
orange teases rouge, the blue rise
on red, these curves

letters shape, shift, notes lift—
a spider-weave ripple of sound riffles
ground-wave to octave

foreground to ground, form
re-form, each iteration:
music. the poem. the music.

Words stack, staccato: they wrap
rap, finger-snap, bebop, toe-tap tap tap
rebop, trombone, scatting a sax

A long hot lick—
the jazz. the jazz. fire-brick
crimson razzmatazz.

– Carol A. Stephen

 

Carol A. Stephen is a Canadian poet, poetry selector for Bywords Journal and a member of the League of Canadian Poets. She’s served on boards of Canadian Authors Association, National Capital Region (CAA-NCR), Arts Carleton Place and Tree Reading Series Ottawa. Carol coordinated CAA’s poetry circle 2008-2013.

Her poetry has appeared in Bywords Quarterly Journal, Tree Press/phaphours press chapbooks and online at The Light Ekphrastic and Silver Birch Press. Chapbooks: Above the Hum of Yellow Jackets, Bondi Studios, 2011 and Architectural Variations, Quillfyre Publishing, 2012. Ink Dogs in my Shoe, Dec. 2014 from Nose In Book Publishing, Castlegar B.C.

Awards: 3rd Prize CAA 2012 National Capital Writing Contest for Walking in Thomson’s Red Sumac. Honourable Mentions: VERSeFest, Poetry for the End of the World, 2012, Arborealis 2012 and 2008 Ontario Poetry Society, Double Your Pleasure 2013 Ontario Poetry Society and CAA’s 2008 and 2011 National Capital Writing Contest.

Recent publication: In December, 2014 her third chapbook, Ink Dogs in my Shoes, was published by Nose In Book Publishing, Castlegar, B.C. This is a chapbook of poems all containing some element of three in them. Subjects range from garden to writing process to nonsense rhymes, and some explore conceptual poetry or experiment with wordplay.

SOCIAL MEDIA LINKS: TwitterFacebookBlog

Three by Five posts on days that end in threes.

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Introducing Carol A. Stephen – June’s Three by Five Featured Author

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Carol A. Stephen is a Canadian poet, poetry selector for Bywords Journal and a member of the League of Canadian Poets. She’s served on boards of Canadian Authors Association, National Capital Region (CAA-NCR), Arts Carleton Place and Tree Reading Series Ottawa. Carol coordinated CAA’s poetry circle 2008-2013.

Her poetry has appeared in Bywords Quarterly Journal, Tree Press/phaphours press chapbooks and online at The Light Ekphrastic and Silver Birch Press. Chapbooks: Above the Hum of Yellow Jackets, Bondi Studios, 2011 and Architectural Variations, Quillfyre Publishing, 2012. Ink Dogs in my Shoe, Dec. 2014 from Nose In Book Publishing, Castlegar B.C.

Awards: 3rd Prize CAA 2012 National Capital Writing Contest for Walking in Thomson’s Red Sumac. Honourable Mentions: VERSeFest, Poetry for the End of the World, 2012, Arborealis 2012 and 2008 Ontario Poetry Society, Double Your Pleasure 2013 Ontario Poetry Society and CAA’s 2008 and 2011 National Capital Writing Contest.

Recent publication: In December, 2014 her third chapbook, Ink Dogs in my Shoes, was published by Nose In Book Publishing, Castlegar, B.C. This is a chapbook of poems all containing some element of three in them. Subjects range from garden to writing process to nonsense rhymes, and some explore conceptual poetry or experiment with wordplay.

SOCIAL MEDIA LINKS: TwitterFacebookBlog

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Rebecca Foust Part IV

Rebecca Foust and the writing life…

VAH: AreFrost Place-back porch you a full time writer?

RF: Yes.

VAH: Is writing vocation, occupation, or profession?

RF: Vocation because I do it for love, not money.

VAH: When the page is blank what gets you writing?

RF: Writing—anything—gets me writing.

VAH: What is your “process” when working on a new piece of writing?

RF: Right drunk and revise sober. Let it all out in the first draft and then pare back and revise.

VAH: Do you have a submission system or plan?

RF: Yes, three times a year: fall, spring, summer.

VAH: What does your typical writing day include?

RF: Unfortunately it begins with answering  a ton of emails—the main reason I go on writing retreats is to get away from emails and social media.

VAH: That immersion into writing and the ability to turn off the tech is quite inviting.

Bonus:

VAH: If you had a super power, what would it be and why?

RF: Never have to sleep because I hate to sleep.

VAH: What is a little known fact about you that will amaze and/or amuse?

RF: I used to collect rocks.

VAH: How fun! I used to collect rocks too. In fact, I occasionally can’t resist picking up and stashing one away in my pocket.

Three random, non-writing facts about you?

RF: I love to cook. Have 3 kids. Am a pretty good snowboarder. Once was proficient on the stationary trapeze.

VAH: Who is your biggest fan?

RF: My sister Sandy Geimer.

 

Thank you Rebecca Foust, for taking the time to talk about your writing life.

Rebecca Foust Sampler:

Southern Indiana Review Spring 4014 Issue, “the fire is falling,” Jan 2014:

Dynamic Response of Multi-Layered Soil Media in the Frequency Domain,” featured on Poetry Daily, 2/1/15

“Biography,” “But What Can Wake You,” and “Eulogy,” published in OmniVerse, Fall 2014

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media: WebsiteTwitterFacebook.

Paradise Drive

Paradise_Drive_Cover_2-17-15

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Rebecca Foust Part III

April’s conversation with Poet Rebecca Foust continues. 

Part IIBecky_author photo_cropped_7-12-14I with Poet Rebecca Foust

VAH: What words of wisdom do you have for the emerging writer?

RF: Learn to accept rejection and to reject acceptance (Ray Bradbury). The writers who succeed are the ones who don’t give up. Do it for love, not money or fame because those things are not gonna happen. Enjoy the process. As Isak Dineson said, write every day with hope but without specific expectation.

VAH: What choices have you made regards to traditional or independent publishing and why?

RF: Traditional because with 5000 books of poetry a year getting published now, a writer has to do all she can to distinguish her work in the great wash.

VAH: What part does social media play in your writing career?

RF: Lately, more and more. FB is vastly more efficient than email for spreading the word. I am just learning twitter and the jury is out on whether this will be effective in helping to distribute my work.

VAH: Both can be useful marketing tools and just as effective time sucks.

Do you belong to writing or author organizations and what benefit have you found in doing so?

RF: Left Coast Writers at Book Passage in Marin is great. AWP conferences are great, too. And I love Marin Poetry Center, which offers so much for $25 a year: monthly readings by high profile poets, a monthly roundtable workshop, the chance to contribute to an annual anthology, and the opportunity to read in the summer traveling shows.

VAH: I’ll need to look into the Marin Poetry Center. Do you have any favorite online sites or blogs that you find useful or interesting?

RF: Narrative, Cortland Review, and the Best American Poetry and the North American and Mid-American Review Blogs.

More with Poet Rebecca Foust posting here on days that end in three (or occasionally begin with 3).

In the meantime, enjoy a sampling of her work:

Southern Indiana Review Spring 4014 Issue, “the fire is falling,” Jan 2014:

Dynamic Response of Multi-Layered Soil Media in the Frequency Domain,” featured on Poetry Daily, 2/1/15

“Biography,” “But What Can Wake You,” and “Eulogy,” published in OmniVerse, Fall 2014

Dream of the Rood” featured on Poetry Daily, 10/2/14

Prodigal,” Valparaiso Poetry Review, Volume XIV, Number 2 (Spring 2013)

Rebecca Foust was the 2014 Dartmouth Poet in Residence and is the recipient of fellowships from the Frost Place and the MacDowell Colony. Her fifth book, Paradise Drive won the 2015 Press 53 Award for Poetry.  Molly Peacock calls it “jagged” and “fresh” and Thomas Lux says “There is great music in these poems, and sonnet after sonnet is masterful. Not si

beck 2nce Berryman’s Henry have I been so engaged by a persona.”

Foust’s poems are widely published and appear in current or next issues of the Hudson Review, Massachusetts Review, Mid-American Review, North American Review, Southern Indiana Review, and other journals. Her book reviews and essays have published in American Book Review, Calyx, Chautauqua, Prairie Schooner, and Rumpus, and her essay, “Venn Diagram” won the 2014 Constance Rooke Creative Nonfiction Award and appears in the current issue of Malahat Review.

Find Rebecca Foust on the web and social media: WebsiteTwitterFacebook.

Paradise Drive

Paradise_Drive_Cover_2-17-15

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Filed under writing life