Tag Archives: Kristen Falso-Capaldi

After SFWC – Kristen Falso Capaldi

Last month, Kristen Falso Capaldi, the recipient of the Victoria A. Hudson Emerging Writer Prize 2015, spent a weekend in San Francisco at the San Francisco Writers Conference. Read about her adventure at the conference. On her blog, she writers:

“Many writers will attest to this: It’s hard to say “I’m a writer” without feeling like some kind of fraud. It’s so much easier to say I’m a teacher, a baker, candle-stick maker (well, maybe not the last one). And while none of us should be in it for the rewards, rewards certainly don’t hurt.

So when I received the exciting news that I won the Victoria Hudson Emerging Writer Prize, I was just a bit more than ecstatic. Winning this scholarship to attend the 2015 San Francisco Writers Conference meant a great deal to me. “Yippee!” I shouted to no one in particular. “I am a writer-albeit in a mostly unpaid-wallpapering-my-house-with-rejections kind of way- but I’m a writer.” After four days jam-packed with eye-opening and inspiring sessions, where I met cool, interesting people who are toiling away at a plethora of amazing projects, I declare that nobody should be afraid to admit to being a writer. In fact, get a t-shirt or a tattoo. Get both.”

Read more here.

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Kristen Falso-Capaldi – Three by Five Interview Part III

Welcome to the final installment of an interview with Kristen Falso-Capaldi.

VAH: What does it mean to you to have been selected as the Victoria A. Hudson Emerging Writer Prize winner this year?

KFC: I am beyond excited to be the recipient of this year’s Emerging Writer Prize.  It means so much to me to be recognized for my writing ability and to be able to attend one of the best writer’s conferences in the country.

VAH: Any goals for the conference?

KFC: I’d love to find an agent for my novel, but I’ll feel fulfilled with advice and critique on my pitch and the first page of my manuscript.

VAH: Kristen it was great meeting you at the conference. I hope it the experience was all you hoped for and you have good luck with the agents you spoke with.

Let’d get back to writing. When the page is blank what gets you writing?

KFC: Sometimes there is nothing scarier than a blank page; that said, I just write.  It’s like jumping into the ocean when I first get to the beach. If I think about it too much, I’ll never get to ride the waves.  I just jump in and write without worrying too much about where the story is going.  I know from past experience that I will end up with a messy first draft that I can then edit into something I’m not embarrassed to show to someone else.

VAH: What is your “process” when working on a new piece of writing?

KFC: I often just think of a first line and start writing.  I very rarely outline, though I sometimes make notes about where the story is going if I get a brainstorm and have to stop for the day.  I try not to abandon stories, though I might work on two pieces at once (usually different genres, like a screenplay and a short story).  If I hit a spot of writer’s block, I try to write through it or jump to another piece I’m working on.

VAH: Do you have a submission system or plan?

KFC: I try to send as much of my work into the universe as I can.  I send my stories to literary journals and contests, and I’m currently pitching my novel to agents.  One of my students told me recently that she doesn’t enter contests because it makes her sad when she doesn’t win. Sure, you can’t fail if you don’t try, but you can’t succeed either.

VAH: What does your typical writing day include?

KFC: I get up every morning at 5:00 a.m., feed my cat, Scout, and feed myself, then I sit down and write for about 45 minutes before I have to get ready for work.  I often don’t get time to write again till the following morning, so I try not to fret too much about what I’m writing – I just get the words out. It may not seem like a lot of time, but in a year and a half, I’ve written a generous handful of flash fiction, two screenplays, seven short stories, a final draft of a novel and a first draft of a new novel.

VAH: What words of wisdom do you have for the emerging writer?

KFC: Make writing a priority.  This is something I didn’t do for many years, and it’s no surprise I got very little accomplished.  Once it became important to me, I saw a huge change in both my craft and my confidence.  Another piece of advice I’d give is to experiment with various genres.  This is something I tell my high school creative writing students.  For example, poetry and flash fiction teach us to be powerful in a small amount of words, script writing helps us focus on dialogue and visualize movement, and memoirs are great for helping us find pearls of truth buried in the subconscious.

VAH: Thanks Kristen for taking time out of your busy schedule for Three by Five.

Find Kristen on:

Kristen’s web site.

Twitter.

“ You always stop writing eventually,” my inner voice said. “Wouldn’t you rather make cheese…I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.”

Kristen Falso-Capaldi is a writer, musician and public high school teacher. The latter position has led her to believe she could run a small country if given the opportunity. She is the singer and lyricist for a folk/acoustic duo Kristen & J, she has finished a novel and has co-written a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. Kristen’s short story, “Of Man and Mouse” was published in the December 2013 issue of Underground Voices magazine, and several of her micro-fiction pieces have received accolades in various contests. Kristen lives in a small town in northern Rhode Island with her husband and cat.

Three by Five publishes on the days that end in three.

 

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Kristen Falso-Capaldi – Three by Five Interview Part II

Welcome to the second installment of an interview with Kristen Falso-Capaldi.

VAH: Kristen, do you have a favorite literary character?

KFC: There are so many, but I love Scout from To Kill A Mockingbird. I love how Harper Lee captured the perfect blend of innocence and precociousness in creating the character.  I even named my cat after her. A close second would be Jay Gatsby, because I can’t help but feel bad for the guy, and I so want things to end differently for him every time I read the novel.

VAH: What about a favorite author?

KFC: Tim O’Brien, author of The Things They Carried because I’ve never read anyone who could make death by land-mine explosion sound magical and heavenly.  I’m also going to go with Fitzgerald, because his description of New York City seen from the Queensboro Bridge gives me chills every time I read it.

VAH: Well, you’ve got me curious to go read Tim O’Brien now. What is the most memorable book, story or poem you’ve read?

KFC: I’m a huge fan of Ursula Le Guin’s short story, “The Ones Who Walk Away From Omelas,” Gabriel Garcia Marquez’s “The Handsomest Drowned Man in the World” and Barry Lopez’s “Emory Bear Hands’ Birds” because all three stories are fantastic and impossible with deeper meanings that we could discuss forever.  I guess you could say I like magical realism.

VAH: And Do you have a favorite book, poem, or story?

KFC: I would say The Things They Carried by Tim O’Brien, because he writes about war in such a poetic way, he makes me want to cry.  My favorite poem is actually the lyrics to the Simon and Garfunkel song “America,” because Paul Simon managed to capture so much longing in so few words. Plus, he briefly makes the moon a third character in the narrative, and that’s just cool.

VAH: Which reader are you – always finish what you started or put it down and move on if you don’t like it?

KFC: I have to finish everything, even if it’s awful. I think it’s because I’m an English teacher and I feel like a fraud if I don’t finish every book I start.

VAH: For a long time, I was the same way. I felt like I betrayed someone by not completing what I was reading. Now though, time compels me to move on!

 

Find Kristen on:

Kristen’s web site.

Twitter.

“ You always stop writing eventually,” my inner voice said. “Wouldn’t you rather make cheese…I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.”

Kristen Falso-Capaldi is a writer, musician and public high school teacher. The latter position has led her to believe she could run a small country if given the opportunity. She is the singer and lyricist for a folk/acoustic duo Kristen & J, she has finished a novel and has co-written a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. Kristen’s short story, “Of Man and Mouse” was published in the December 2013 issue of Underground Voices magazine, and several of her micro-fiction pieces have received accolades in various contests. Kristen lives in a small town in northern Rhode Island with her husband and cat.

Three by Five publishes on the days that end in three. Return for more with Kristen Falso-Capaldi then.

 

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2015 Emerging Writer Prize Winning Essay

IMG_0549“WOULDN’T YOU RATHER MAKE CHEESE?”

MUSINGS ON WHY I WRITE, AND WHY I CHOOSE TO DO IT SO EARLY

by Kristen Falso-Capaldi

2015 Victoria A. Hudson Emerging Writer Prize Honoree

            5:00 a.m. is cold and dark. Trust me on this. In deepest January, when the wind outside is warning me about the bitter walk to the car, I just want to cover my head and snooze.  I do snooze, but only once.  At 5:09 a.m., I am up. I write. Everyday.

I was a writer before I even knew how to write. My childhood was filled with plot twists and dialogue contrived for imaginary friends, dolls and neighborhood kids, the unwitting stars of my theater.  I began a novel after college, then another in my late twenties. In my thirties, I finished a third, then stopped writing for years while I nursed the wounds of rejection.  I wrote a few short stories, song lyrics, kept a journal.  But most of the time, I was doing other things — making jewelry and practicing yoga and learning to make cheese.  Really, my mozzarella was epic.

I loved talking about writing.  “Someday, when I have the time,” I said. “I will write. I’m a writer, after all.” Talking, as they say, isn’t doing.

About a year ago, something happened. I spent the summer of 2013 focused on changing careers. My job as a public high school teacher was taking its toll.  As I sought out the perfect opportunity for an ex-PR-professional-turned-educator, I dug into the recesses of my laptop, hoping to uncover a half-decent resume. I found, instead, a number of fictional pieces I’d left for dead.

This is where I found Blake, the protagonist of novel number four, while he grieved his dead wife.  And Catherine, the teenager who came to work at a factory in the summer of ’87 and left the men there spellbound. And Henry, a weak middle-school teacher who turned into a manly TV character for one day.   They were all there, their stories broken off by imaginary ellipsis.  They needed me.

The job market was as dry as the Sahara, but I was too busy writing to feel badly about it.  By the end of August, I finished a first draft of novel number four and completed three short stories.  I was going back to my classroom, but I needed to write.

Just like talking isn’t doing, needing isn’t wanting.  I’d been at this place before. I accepted I probably wouldn’t fit writing into my life once the school year got rolling.

“You always stop writing eventually,” my inner voice said. “Wouldn’t you rather make cheese?”

But guess what? When you truly want to do something, you find a way to fit it in.

It turns out I wanted to write. It also turns out 5:09 a.m. is when I can fit it in.  365+ early-morning writing sessions later, I have written several short stories and micro-fiction pieces, four drafts of my novel, a first draft of a new novel, two screenplays and a generous handful of song lyrics.

I write because I can no longer picture my life without it.  The rewards have been small, but encouraging. Henry, the weak middle-school teacher was introduced to readers in the December 2013 issue of Underground Voices magazine, and a screenplay I co-wrote received an official selection at the Houston Comedy Film Festival.  So, I keep trying and hoping that someone will want to know Blake and Catherine and all the others who haven’t even been born yet.

I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.

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Kristen Falso-Capaldi – Three by Five Interview Part I

IMG_0549This month Three by Five’s guest is Kristen Falso-Capaldi, who will attend the San Francisco Writers Conference February 12 – 15 as the recipient of the Victoria A. Hudson Emerging Writer Prize.

VAH: Your response to the “why I write” prompt echoed in my mind when I was reading the submissions for the Emerging Writer Prize. That will post on the site later. But if you had only a few words, how would you respond to the question, Why do you write?

KFC: Honestly, I write because it feels good. It’s by no means easy, but it feels pretty magical to create people and places and have them come together to mean something and hopefully touch someone or at least make someone see the world in a new way.

VAH: Why did you become a writer and when did that seem true for you?

KFC: I think I’ve always been a writer. I was the kid with lots of imaginary friends, and I grew into an adult who spends a good percentage of my time inside my head.  I have been writing on and off for years, but it wasn’t until 2012 when I attended my first writer’s conference – the Ocean State Summer Writing Conference at my alma mater – and joined a writer’s group that I started feeling like a real writer.  I began writing daily in August of 2013 and have been going strong ever since.

VAH: Is there anything or anyone that you’d say influenced your development as a writer?

KFC: My sixth grade teacher, Mr. Swann encouraged me to write my first novel, Why Me? by teaching my best friend (also the book’s illustrator) and me the art of book binding.  My high school English teacher Mrs. Sweeney, paid me a compliment on an essay I wrote comparing The Great Gatsby, Death of a Salesman and The Glass Menagerie. I had worked so hard on it, and I remember thinking it was so great that she recognized that.

VAH: Our early teachers so often have such far reaching impact upon us. Mine was my third grade teacher, Mrs. Worthy. What do you remember about your first story or poem?

KFC: My earliest writing memory is of a short story called “The Easter Celebration,” which I wrote after rereading Charlotte’s Web for the umpteenth time.  All I can remember is that it involved talking barnyard animals and it received an honorable mention in a short story contest sponsored by the 4H Club.  I was maybe nine or ten. I believe I illustrated it as well, though I can’t draw at all.

VAH: And what would you say is your favorite piece that you’ve written so far?

KFC: I’m proud of a flash fiction piece I wrote called “Importance,” which was recently included in The FlashDogs Anthology.

Find Kristen on:

Kristen’s web site.

Twitter.

“ You always stop writing eventually,” my inner voice said. “Wouldn’t you rather make cheese…I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.”

Kristen Falso-Capaldi is a writer, musician and public high school teacher. The latter position has led her to believe she could run a small country if given the opportunity. She is the singer and lyricist for a folk/acoustic duo Kristen & J, she has finished a novel and has co-written a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. Kristen’s short story, “Of Man and Mouse” was published in the December 2013 issue of Underground Voices magazine, and several of her micro-fiction pieces have received accolades in various contests. Kristen lives in a small town in northern Rhode Island with her husband and cat.

 

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Emerging Writer Prize Winner Announced

The 2015 Victoria A. Hudson Emerging Writer Prize winner is:

Kristen Falso-Capaldi

“ You always stop writing eventually,” my inner voice said. “Wouldn’t you rather make cheese…I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.”

Kristen Falso-Capaldi is a writer, musician and public high school teacher. The latter position has led her to believe she could run a small country if given the opportunity. She is the singer and lyricist for a folk/acoustic duo Kristen & J, she has finished a novel and has co-written a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. Kristen’s short story, “Of Man and Mouse” was published in the December 2013 issue of Underground Voices magazine, and several of her micro-fiction pieces have received accolades in various contests. Kristen lives in a small town in northern Rhode Island with her husband and cat.

Kristen will receive a scholarship for her registration to attend the 2015 San Francisco Writers Conference, February 12-15. She will also receive a signed copy of No Red Pen: Writers, Writing Groups and Critique as well as the E-book version. Her winning entry will post here in February.

Congratulations Kristen!

This year there were 37 entries for consideration. There were more semi-finalists than ever before and competition for the final four was quite strong. Each of their entries are expected to post here over the next few months.

Competition for 2016 opens on September 1st.

 

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Finalists for the Victoria A. Hudson Emerging Writer Prize

Introducing the four finalists for this year’s Emerging Writer Prize.

Kristen Falso-Capaldi

“I’m going to make some coffee now. It’s very early, and I’ve got lots to say before I leave for work.”

Kristen Falso-Capaldi is a writer, musician and public high school teacher. The latter position has led her to believe she could run a small country if given the opportunity. She is the singer and lyricist for a folk/acoustic duo Kristen & J, she has finished a novel and has co-written a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. Kristen’s short story, “Of Man and Mouse” was published in the December 2013 issue of Underground Voices magazine, and several of her micro-fiction pieces have received accolades in various contests. Kristen lives in a small town in northern Rhode Island with her husband and cat.

Ali McCart

“I write because I will no longer censor my narrator.”

Ali McCart’s first publishing job was collating and saddle-stitching a quarterly travel journal before she could even read—that’s what happens to a child of printers and publishers. She went on to earn a bachelor’s degree in English from Willamette University and a master’s degree in book publishing from Portland State University. She’s the founder and executive editor of Indigo Editing & Publications, where she’s helped authors hone their craft since 2005. Despite all this experience in publishing, she only recently began her journey as a writer.

Phylise Smith

“I write because why I write is an essay, an essay of life, an essay on writing. Why do I write? I write Because.”

Phylise Smith is a dancer storyteller who is transitioning from speaking through movement to speaking through the written word. Before attempting fiction, she published scholarly articles on dance in Choreography and Dance Journal and other dance periodicals.

More recently, she has worked with fiction writers, Ayana Mathis, Leslie Schwartz and Debra Dean. As evidence of her emerging talent, Phylise has been awarded several writing scholarships including scholarships to participate in the Eckert College Writers’ Conference in Florida and the Napa Valley Writers’ Conference.

Phylise has studied writing at UCLA Extension Writer’s program and is currently working on a novel on how tradition impacts women’s lives.

Caroline Zarlengo Sposto

“I write because writing is the final thing I want to do.”

Caroline Sposto began writing poetry, fiction, and creative non-fiction in earnest four years ago when her daughters went off to college. Her work has since been published in The Saturday Evening Post, Family Circle Magazine, and an assortment of literary magazines and anthologies in the U.S., the U.K and Canada. She is a Memphis correspondent for Broadwayworld.com, and Poetry Editor of the Humor in America blog. In 2011, she was chosen to participate in the Moss Workshop in Fiction at the University of Memphis with author Richard Bausch. In 2013, she won second place in The Great American Think-off––an amateur philosophy competition that culminates in a public debate in New York Mills, Minnesota. In 2014, she was chosen to spend the summer as a writer in residence at the Helene Wurlitzer Foundation in Taos, New Mexico. She feels grateful a wistful turning point in life became a happy adventure!

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