Tag Archives: life

Readers – What Would You Add?

In 2011, No Red Pen: Writers, Writing Groups & Critique was published just in time for that year’s San Francisco Writers Conference. Now I’m looking at completing a revised 3rd edition. I’m interested in what readers of No Red Pen think was missing in the original book or what could use a little more depth of discussion. Now’s your chance to let me know by using the feedback form below. NO RED PEN

Additionally, I have a survey that asks about individual experiences with writing groups and critique. Please take a few minutes and give your thoughts and opinions by participating in the Creative Writing Critique Experiences.

Thanks for your feedback and for participating in the survey.

While you’re at it, have you signed up for the newsletter yet?

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Emerging Writer Prize Honorable Mention: Caroline Zarlengo Sposto

I WRITE BECAUSE

I write because it is the first thing I recall ever wanting to do.

It was a time when paperboys threw Sunday newspapers on to damp lawns from early morning bicycles and children skinned their knees on playgrounds and their mothers painted the
wounds with coral red Mercurochrome and no particular concern.

Before I was old enough to go to school and labor over the alphabet letters in a Big  Chief pad with an over-sized pencil, I sat at home making loopy shapes on old paper grocery bags with a crayon. Then I lined up my stuffed animals and read them my stories. They looked on with serious, plush faces and rapt, unblinking plastic eyes, giving no indication they were wise to the fact that I was improvising with the help of scrawled gibberish.

Once I was six, inches shy of four feet tall, barely forty pounds, and compelled to wear dresses to school, even on snow days, I learned the letters and how to attach phonetic sounds to them by rote.

Having to walk in this manner, before I could run, was a painstaking process for me, and not an easy one. I wanted to use all of those tools but did not know how, and for long months,
I felt consigned to the margins.
A lifetime later, and near the mid-­‐century mark, my own children are grown, and I am, at long last, able to stop doing work-­‐for-­‐hire corporate communications and instead write
from my heart.

My little shelf of small anthologies with my essays, poems and stories is growing. So is my list of urls.
I keep scrawling, keep improvising, keep sorting and parsing my thoughts – often not knowing what I think until I read my own words.

My little dog sits on the sofa beside me, wagging her tail, and looking at me with blinking eyes that give no indication she thinks her owner is anything less than a wit and a thinker.
I dream that perhaps one little verse or essay or tale might remain alive when I am gone.

I write because writing is the final thing I want to do.

For more about Caroline Zarlengo Sposto, visit her website.

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Write What You Know

Today a rare, non-writing related posting.

Friday was the ceremony marking my retirement after thirty-three years of service in the United States Army. More than three decades and during much of that time, my writing, (ok, it is a writing related posting) was inhibited. We are always told to “write what you know.” If I’d written what I knew, fiction or nonfiction, I risked losing everything in the military for I served under the entire lifespan of the Don’t Ask, Don’t Tell policy.

In retrospect – I wish I had written more and published what I’d written. What is written reflects the culture, good and bad. When social change is needed, it often is explored through literature, theater and song.

So get out there and write. Write what you know, and what you want to know in the future. Vicki Hudson Army Retirement Ceremony

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Life’s metric – Straight and Narrow or Hills and Valleys?

IMG_5027Recently I responded to a follow-up from Paul Dorset who interviewed me back in May for his Indie Author Interview series. Paul asked if the writing life had been good to me this year. This got me thinking about the zigzag of writing. According to Duotrope, I have a 22.2% acceptance rate, which the site tells me is better than average for users submitting to the same type of markets. I’ve submitted to about twenty markets and about a quarter of what I sent out published. Metrics are useful, and metrics need definition. If the metric is solely published or rejected – straight and narrow rubric of assessment – 22.2% doesn’t seem all that good when 100% is far at the other end. However, if the metric definition is writing produced, revised, drafted as well as submitted, published, and rejected plus craft study in a writing group, online course, or attending a conference, writing related marketing – Hills and Valleys of writing related activities – that one out of five pieces published seems a pretty good accomplishment in context of 20% of my time with the family, 20% of my time volunteering with community organizations, 20% of the time with self-development and craft related work, 20% of my time at the grindstone of production with 10% for submitting and marketing and 10% for whatever distraction that is all about me that I want. (World of Warcraft, catching up with TIVO, mindless surfing on the net, rugby) Looking at my writing life this way makes September, where I was home from traveling maybe 5 days the entire month and thus accomplished no actual production done – balanced with May through August where I attended not one, but two writing conferences, wrote and revised a dozen or so new poems, and sent out a slew of work – means September was a in the valley of writing month while the summer I was scaling the hills. Those acceptances that came periodically? Those are the standing at the crest of the hill and marveling at the scenery surrounding, the victory after the toil.

So, keep your writing life in perspective. Define the metric that you are measuring your life and work with and keep it all in context.

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Pulitzer Remix Day Thirty and Final Remix for National Poetry Month

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For the final poem of the Pulitzer Remix project, number 30, I turned to the final page of the book. There, I found the story An Influx of Poets. Fitting, perhaps, as 85 poets took part in the project. The final poem from page 488, entitled Pages of a Book

Pulitzer Remix is a project of the Found Poetry Review.

Pulitzer Remix and National Poetry Month is done. What have been your favorite entries?

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Pulitzer Remix Day Twenty-Nine

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Local Legend is the reply when noisy old men strike up a conversation. Found in the story A Reading Problem on Pages 324-325.

Pulitzer Remix is a project of the Found Poetry Review.

Only one more day of Pulitzer Remix and National Poetry Month. What have been your favorite entries?

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Pulitzer Remix Day Twenty-Eight

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Today brings a haiku entitled Summit, sourced from pages 318-319 and the story The Liberation.

Pulitzer Remix is a project of the Found Poetry Review.

Only a few more days of Pulitzer Remix and National Poetry Month. What have been your favorite entries?

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Pulitzer Remix Day Twenty-Seven

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From pages 306-307 and the story The Liberation the found poem Bereft.

Pulitzer Remix is a project of the Found Poetry Review.

Only a few more days of Pulitzer Remix and National Poetry Month. What have been your favorite entries?

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Pulitzer Remix Day Twenty-Six

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Grief aches the soul. From In the Zoo, and pages 298-299 Requiem was found.

Pulitzer Remix is a project of the Found Poetry Review.

Only a few more days of Pulitzer Remix and National Poetry Month. What have been your favorite entries?

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Pulitzer Remix Day Twenty-Five

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Two Women contemplate life, found on pages 284-285 from In the Zoo.

Pulitzer Remix is a project of the Found Poetry Review.

Only a few more days of Pulitzer Remix and National Poetry Month. What have been your favorite entries?

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