Tag Archives: vicki hudson

And Then They Were Done…

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The final 85 poems for the Pulitzer Remix project have posted. Taking part in this project was an experience that I won’t soon forget and will likely remain one of my writing life memories that I will cherish. In this project, I met a deadline to have a new poem, found from my assigned source text, every day for a month. I varied the forms some over the thirty poems but in the process discovered that I really like writing a narrative thread within the poetry I create. I discovered two Remixers (as we started calling ourselves) that lived locally to me and made other online writer friends with some of the other participants. I read some lovely, challenging, funny, striking, entertaining and so much more poetry across the span of April.

Working with a finite resource of words, for me what was found on two facing pages from the source, meant that I had to be exact with my selections. Each poem found was created with the anticipation similar to searching for the prize in a Cracker Jack box – not the prizes now, but the really cool ones from decades past.

I don’t really know how I was on the list of poets invited to participate. I am very glad, and grateful that I was. Jenni B. Baker over at the Found Poetry Review created a tremendous opportunity for poets that participated. I’m proud of what we collectively and individually created. There is some very beautiful wordsmithing over at Pulitzer Remix. If you’ve not read the work there, surf over – but hurry because after the middle of May, it will all be gone.

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Pulitzer Remix Day Thirty and Final Remix for National Poetry Month

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For the final poem of the Pulitzer Remix project, number 30, I turned to the final page of the book. There, I found the story An Influx of Poets. Fitting, perhaps, as 85 poets took part in the project. The final poem from page 488, entitled Pages of a Book

Pulitzer Remix is a project of the Found Poetry Review.

Pulitzer Remix and National Poetry Month is done. What have been your favorite entries?

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Pulitzer Remix Day Twenty

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The Mountain Day brings the poem To be in Love, found on pages 236-237. “To be in love at eighteen? It is like an abundant spring garden…”

Pulitzer Remix is a project of the Found Poetry Review.

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Pulitzer Remix Day Nineteen

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From the story The Tea Time of Stouthearted Ladies comes Dilemma, pages 220-221 of Jean Stafford’s collected stories. In Dilemma find a clue to why a mother earlier was lost in reflection as read in Worlds Away published earlier in April.

Pulitzer Remix is a project of the Found Poetry Review.

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Pulitzer Remix Day Fourteen

Winter always leads to spring. This found poem entitled Winter Seed Spring is sourced from pages 174-175, and from the story The Lippia Lawn1970-The-Collected-Stories-of-Jean-Stafford-Featured

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Three by Five Presents Daniel Shapiro, Part II

“Write Only What you Can Write.”

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VAH – Daniel, when did you know you were a writer and what got you there?

DAS – I have known I was a writer since high school, but I didn’t start writing poetry seriously until about 15 years later. I had considered myself a music critic; I wanted to be the next Lester Bangs or Robert Christgau. Eventually, I wrote professionally as a journalist and advertising copywriter, and my experiences in those media have informed my poetry. When I was writing advertising blurbs for a catalog company, a couple of my co-workers were poets, and they would exchange poems with each other across cubicles. It was a sort of bonding experience, so I started participating in that and haven’t stopped writing poems since.

VAH – You have several chapbooks and a book – what is your best advice for emerging writers?

DAS – The only advice I can think of is that the best way to fit in is to acknowledge that you don’t fit in. Write what only you can write. Don’t tell people what you think they want to hear. If you’re a reality-show-loving Samoan with a scholarship to play the tuba, write about reality shows, Samoa, and tubas. No one else can do that! If you are that person and you decide to write about trees in autumn, ocean surf, your dying grandmother, and/or a difficult break-up, I will fly to Samoa and smack you with a stick made from the tree you wrote that poem about.

VAH – Many entering writing explore the idea of the Master of Fine Arts degree in writing – any thoughts?

DAS – I do not have an MFA. I am neither for nor against MFAs.

VAH – Writers write, read and seem to travel to where other writers gather – Do you have a favorite conference or writing retreat or seminar and what makes that one worth your while?

DAS – I have attended the AWP conference a couple of times and have loved it. It is a lot of fun to stalk your heroes, meet online friends in person, read poems aloud in places you’ve never been, meet the editors who have accepted your work, and hear poems you’ve admired for years read by their creators. It’s expensive, but it’s hard to put a dollar value on its overall positive effect. I plan to keep going.

VAH – What supports you so you may continue writing?

DAS – I am a special education teacher. When I tell people this, some of them say, “Bless your heart.” My job can be difficult, but it’s not the sort of thing you would see on “American Horror Story.” If any of the work weighs on me, I turn the weight into a poem, but usually I keep my career and writing separate.

Later in the month – Parts III and four of Three by Five’s presentation of Daniel Shapiro.
(Part I – Daniel discusses favorite literary characters, influences, his first creative piece of writing and why he writes.)

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Pulitzer Remix Day Eight

1970-The-Collected-Stories-of-Jean-Stafford-FeaturedToday’s installment of Found Poetry for the Pulitzer Remix project is entitled Playtime. The source story for this poem was The Hope Chest, pages 116-117 of the The Collected Stores of Jean Stafford. 

Just to recap – found poems look at existing text and then remix the words, producing an entirely new work. Consider the source text as a finite pool or bucket of words (resource) and the poet crafting the poem has the task to create something from only the resources at hand.

For my found poems in this project, all words come from the source. The only occasional exception is the title, which sometimes is also drawn from the source text but sometimes, like the poem itself, is a new reflection of the piece.

Pulitzer Remix is a project of the Found Poetry Review.

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Pulitzer Remix Day Seven

Today’s poem entitled Confession reminds us that destiny is not ours alone. Also sourced from the story Life is No Abyss, pages 106-107. 1970-The-Collected-Stories-of-Jean-Stafford-Featured

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Pulitzer Remix Day Six

The found Poem Unyielding explores mortality, sourced from pages 94-95 and the story Life is No Abyss1970-The-Collected-Stories-of-Jean-Stafford-Featured

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Pulitzer Remix Day Five

Today’s found poem is entitled Dinner. The story Caveat Emptor is the source text, pages 82-83. Food is such an intimacy when shared. 1970-The-Collected-Stories-of-Jean-Stafford-Featured

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